The Forced Wedding Papers That Made Nora Question Wade Rourke-QuynhTranJP

The wedding dress was too tight across Nora Bellamy’s ribs, and everybody in Mercy Creek could see it.

The worst part was not that they saw.

The worst part was that they pretended not to.

Image

The clerk’s office behind the courthouse smelled of dust, old paper, and the faint sourness of fabric that had been kept too long in a trunk.

A strip of hard noon light fell through the window and cut across the floorboards.

It showed the scuffs on Nora’s shoes.

It showed the strain in the gray dress.

It showed Mrs. Lottie Hayes behind her, trying to force one more button through a hole that had nearly given up.

“Hold still,” Mrs. Hayes muttered.

“I’m trying.”

“You’re breathing too much.”

Nora looked at herself in the cracked mirror and nearly laughed.

Breathing too much.

That sounded like Mercy Creek’s complaint against her whole life.

Too much breath. Too much body. Too much grief. Too much woman standing in a room that had already decided how little space she deserved.

The dress had belonged to a dead woman.

Nobody said it that plainly, but Nora knew.

The gray fabric had been borrowed from a family that had no more use for it, and every seam seemed to remember a smaller waist, a lighter body, a bride who had at least been chosen before she was buried.

Nora had never been allowed to feel chosen.

She had been endured.

She had been commented on.

She had been measured by women who smiled while hurting her and by men who looked away as if looking away made them decent.

Her round cheeks looked pale beneath her dark hair.

Her hands were steady, but only because she had already spent the last three days shaking where no one could see.

Three days earlier, she had buried Henry Bellamy in a cheap pine coffin at the edge of the cemetery.

Read More